Alicia Keys dethrones Rihanna from Billboard top spot

LOS ANGELES (Reuters) - American R&B singer Alicia Keys scored her fifth No. 1 album on the Billboard 200 album chart on Wednesday with "Girl on Fire," unseating reigning chart queen Rihanna.

Keys' fifth studio album sold 159,000 copies, according to Nielsen SoundScan, which was the lowest opening week of sales for any of the soulful singer's career.

Keys, 31, held off country-pop starlet Taylor Swift's "Red" and Rod Stewart's "Merry Christmas, Baby" for the top spot.

British boy band One Direction's "Take Me Home" and country-rock singer Phillip Phillips' "The World from the Side of the Moon" were fourth and fifth on the chart respectively. Rihanna's "Unapologetic" slid to sixth in its second week on the chart.

Keys' only album not to debut atop the Billboard chart was 2009's "The Element of Freedom," which sold 417,000 copies in its first week but was thwarted from the top spot by British talent-show sensation Susan Boyle's "I Dreamed a Dream."

First-week sales of "Girl on Fire" were in line with industry expectations of 145,000 to 170,000 units sold, Billboard said.

Album sales tumbled the week after the holiday shopping season kicked off, falling 23 percent overall. Only 13 albums picked up more sales in the top 100 this week, not counting chart debuts and re-entries.

The 7.52 million albums sold last week was a decline of 7 percent from the same week last year. In 2012, some 275.3 million albums have been sold so far, marking a 4 percent decline compared with the same point in 2011, according to Nielsen.

Black Eyed Peas mastermind will.i.am's single "Scream & Shout" featuring Britney Spears knocked Korean viral dance hit "Gangnam Style" by PSY out of the top spot in digital songs.

"Scream & Shout," which was released on November 21, leaped from No. 66 to the top spot with 169,000 downloads.

The electronic pop-dance song was buoyed by the music video's premiere on the U.S. television singing show "The X Factor," which stars Spears as a judge, and as the feature music of an TV advertising campaign for headphones starring will.i.am.

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"The Message" deemed greatest hip hop song ever

LOS ANGELES (Reuters) - The 1982 hit "The Message" by Grandmaster Flash and the Furious Five was named the greatest hip hop song of all time on Wednesday, in the first such list by Rolling Stone magazine to celebrate the young but influential music genre.

"The Message," which tops a list of 50 influential hip hop songs, was the first track "to tell, with hip hop's rhythmic and vocal force, the truth about modern inner-city life in America," Rolling Stone said.

Grandmaster Flash and the Furious Five, a hip hop collective from the south Bronx in New York, was formed in 1978 and became one of the pioneers of the hip hop genre.

The full list spanned songs ranging from Sugarhill Gang's 1979 hit "Rapper's Delight," which came in at No. 2, to Kanye West's 2004 hit "Jesus Walks," which landed at No. 32.

"It's a list that would have been a lot harder to do ten or 15 years ago because hip hop is so young," Nathan Brackett, deputy managing editor of Rolling Stone, told Reuters.

"We've reached the point now where hip hop acts are getting into the (Rock and Roll) Hall Of Fame... it just felt like the right time to give this the real Rolling Stone treatment."

Rolling Stone's top 10 featured mostly hip hop veterans, such as Run-D.M.C.'s 1983 track "Sucker M.C.'s," Dr. Dre and Snoop Dogg's 1992 hit "Nuthin' But A 'G' Thang," Public Enemy's 1990 song "Fight The Power" and Notorious B.I.G's 1994 hit "Juicy."

Other influential artists in the top 50 songs included Beastie Boys, who came in at No. 19 with "Paul Revere," and recordings by Jay-Z, Eminem, Missy Elliot, Outkast, Lauryn Hill, LL Cool J, Nas and the late rapper 2Pac.

The list of 50 songs was compiled by a 33-panel of members comprising Rolling Stone editors and hip hop experts. They included musician Ahmir "Questlove" Thompson of The Roots, who Brackett described as "an incredible encyclopedia" of both old and new hip hop knowledge.

Brackett noted that some songs considered to be one-hit wonders, such as Audio Two's 1988 hit "Top Billin'," made the final selection.

"The references in those songs become the building blocks of all these other songs down the road ... they become touchstones, really part of the meat of hip hop songs going forward," Brackett said.

The full list will be released online at RollingStone.com and in the pop culture magazine on newsstands on December7. The issue will feature four different covers of Eminem, Jay-Z, Notorious B.I.G. and 2Pac.

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Kathie Lee Gifford's "Scandalous" musical to close after three weeks

LOS ANGELES (TheWrap.com) - So much for Kathie Lee Gifford's career as a playwright. The former "Live!" co-host's Broadway musical "Scandalous: The Life and Times of Aimee Semple McPherson," is shuttering a little after three weeks after it opened.

The musical, which opened November 15, will have its final performance December 9 at the Neil Simon Theatre in New York.

Gifford wrote the book and lyrics for "Scandalous," which chronicled the life of evangelist and proto-celebrity Aimee Semple McPherson, who rose to prominence in the 1920s, only to fall from public grace amid scandalous love affairs and other controversies.

In all, "Scandalous" will have played 29 regular performances before it goes dark and 31 previews. The musical stars Carolee Carmello (left) and George Hearn, among others, and is directed by David Armstrong ("A Christmas Story the Musical," "Catch Me if You Can").

Though Gifford had ample opportunity to plug the production via her "Today" co-hosting duties - and she certainly took advantage of the opportunity - critics were generally unkind in their appraisal of the show.

"'Scandalous' isn't so much scandalously bad as it is generic and dull," wrote the New York Times' Charles Isherwood.

Newsday's Linda Winer took specific aim at Gifford's "bombardment of nursery-rhyme lyrics."

Talkin' Broadway's Matthew Murray, meanwhile, scoffed that the play "is not distinctive in one positive way."

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A Minute With: Scottish DJ Calvin Harris hits big time in U.S

LOS ANGELES (Reuters) - Scottish DJ Calvin Harris may not be the most recognizable face in the U.S. music scene, but after writing Rihanna's biggest chart hit and with two other top 20 singles, Harris is fast becoming a chart staple.

Harris, 28, found success in the UK over the last five years before storming the Billboard Hot 100 earlier this year with "We Found Love," a dance-infused dark love song featuring Rihanna's vocals that became one of 2012's biggest hits.

The DJ, who released album "18 Months" in November featuring other hits "Feels So Close" and "Let's Go," sat down with Reuters to talk about his U.S. breakthrough.

Q: Did you ever think "We Found Love" was going to be one of the biggest hits in the U.S. this year, and what do you think of the growing British presence in the U.S. music charts?

A: "I hoped that it would do really well, but you can't predict writing Rihanna's biggest-ever record, else you're an egomaniac. Couldn't have predicted that - that was a surprise. It's nice that British music is getting played over here, it seems like everyone has a more even playing field than before."

Q: Why do you think dance music is becoming such a big part of the U.S. scene?

A: "The people to thank are probably the Black Eyed Peas and Lady Gaga. They were the first two American mainstream acts to have that house beat in their songs, whereas before, it was all hip hop. I remember Ne-Yo, when 'Closer' came out ... and it bombed here but in the UK it was number 1, it was massive ... Black Eyed Peas' 'I Got a Feeling' and (Lady Gaga's) 'Poker Face' that was pushed really hard, and once they were huge, huge hits ... radio stations wanted more and there was plenty of it because it's been going on for years."

Q: There are a lot of DJs coming into the mainstream scene now. How do you make yourself stand out in a saturated market?

A: "I like making dance records with lyrical depth. I also like the music to sound rich and full and have real instruments, and not be that kind of synthetic sound, combined with lyrics about popping bottles, being in the club ... I like them to be the sort of lyrics you can find in another genre because I think dance music historically, the lyrics have been banal and I'm not into that. I like making actual songs but also something that still works on the dance floor."

Q: Your new album "18 Months" has songs that span different sounds within the dance-pop genre. Were any tracks challenging?

A: "The two most challenging mixes were the tracks with Example and Florence (Welch), because I think the key is to make it sound like there isn't that much going on when actually there is ... it was a more difficult mix because it was more dynamic."

Q: Some critics say that you use well-known artists like Rihanna or Florence just so you can get hits. What do you say to people who think you've sold out?

A: "Critics don't buy albums, they're also almost 90 percent either failed musicians or they don't know better than anyone else. Also, I don't like them. What's the point of a critic? ... I 'sold out' when I signed a major record deal, which was in 2006. People didn't say I sold out then ... so don't accuse me of selling out now. It's very very late to do that.

"If Florence Welch wants to do a track with me, I'm going to say no and use someone unknown? ... I want to do a track with people I like, not people I haven't heard of before."

Q: Some of your music videos have been provocative. "We Found Love" features domestic abuse and drug use, and Florence Welch's "Sweet Nothing" has violence. Do you think music videos have to provoke to be noticed?

A: "I like videos to be seen by all and the guy who's done my videos since 'Bounce,' Vince Haycock, I forever censor him ... But recently, I've let him do whatever he wants and it's more fun, I've discovered, to make whatever video he wants to make ... I guess you're more likely to get more views if someone is getting smacked in the face with a chair ... 'Sweet Nothing' was great, but there was a lot that was cut out, like a brutal fight scene at the end ... it got cut out because I couldn't watch it, and the soundtrack was my music. There's obviously a boundary. I've not had any naked people in my videos yet."

Q: A lot of DJs are now collaborating with brand names in sponsorship deals. Are you doing anything similar?

A: "I'm genuinely just making music, I'm trying to make it good. I know these guys with their headphones and their logos and their gimmicks - you can take that route but I think it's just added pressure to uphold something ... Other people do it much better than me because they're more like personalities."

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Justin Bieber's manager throws Twit-fit over Grammy nominations shutout

LOS ANGELES (TheWrap.com) - Apparently, Justin Bieber's manager is unfamiliar with the concept of being gracious in defeat.

Scott "Scooter" Braun, the man who deserves the credit (or blame, depending on your view) for bringing the "Boyfriend" singer to prominence, had a Twitter meltdown Wednesday night, after his client was left out in the cold in this year's Grammy nominations.

In a fairly lengthy (for the medium, anyway) Twitter screed, Braun opined that the powers that be at the Grammys "blew it" by not including Bieber among the potential trophy winners.

"This time there wont be any wise words, no excuses, I just plain DISAGREE," Braun fumed. " The kid deserved it. Grammy board u blew it on this one."

Braun continued, "he hardest thing to do is transition, keep the train moving. The kid delivered. Huge successful album, sold out tour, and won people over..."

Bieber released his third studio album, "Believe," in February. The album entered the Billboard 200 chart at No. 1. So at least he has that. And the financial windfall that brings. And the adoration of millions of tweeners across the planet. And all of the other awards that the 18-year-old has amassed...

To be fair, Braun did congratulate "Call Me Maybe" chanteuse Carly Rae Jepsen on her two nominations in the Song of the Year and Best Pop Solo Performance categories. Of course, Jepsen is also Braun's client, so that's to be expected.

And he did note, "so to all those nominated ... you do deserve it. You worked hard and u earned it. Just feel like so did JB."

Before signing off for the night, Braun offered a silver-lining message for the army of Beliebers out there who, no doubt, were also numb with slack-jawed amazement that Bieber had been shut out of the Grammys race.

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Boehner, Obama Meet Face-to-Face in Fiscal Cliff Talks

For the first time in more than three weeks, President Obama and House Speaker John Boehner met face-to-face Sunday at the White House to talk about avoiding the fiscal cliff.

White House Principal Deputy Press Secretary Josh Earnest would offer no details saying only, "The lines of communication remain open."

Erskine Bowles, the co-creator of a debt reducing plan, who was pessimistic a couple weeks ago, said he likes what he's hearing.

"Any time you have two guys in there tangoing, you have a chance to get it done," Bowles said on CBS's "Face the Nation."

The White House afternoon talks, conducted without cameras or any announcement until they were over, came as some Republicans were showing more flexibility about approving higher tax rates for the wealthy, one of the president's demands to keep the country from the so-called fiscal cliff -- a mixture of across-the-board tax increases and spending cuts that many economists say would send the country back into recession.

"Let's face it. He does have the upper hand on taxes. You have to pass something to keep it from happening," Sen. Bob Corker of Tennessee said on "FOX News Sunday."

This comes after the White House moderated one of its demands about tax rate increases for the wealthy.

The administration was demanding the rate return to its former level of 39.6 percent on income above $250,000. The so-called Bush tax cut set that rate at 35 percent. But Friday, Vice President Joe Biden signaled that rate could be negotiable, somewhere between the two.

"So will I accept a tax increase as a part of a deal to actually solve our problems? Yes," said Oklahoma Republican Tom Coburn on ABC's "This Week."

The problems the senator was referring to are the country's entitlement programs. And there was some progress on that front, too.

A leading Democrat said means testing for Medicare recipients could be a way to cut costs to the government health insurance program. Those who make more money would be required to pay more for Medicare.

"I do believe there should be means testing, and those of us with higher income and retirement should pay more. That could be part of the solution," Sen. Dick Durbin of Illinois said on NBC's "Meet the Press."

But Durbin said he would not favor raising the eligibility age from 65 years old to 67 years old, as many Republicans have suggested.

The White House and the speaker's office released the exact same statement about the negotiating session. Some will see that as a sign of progress, that neither side is talking about what was said behind closed doors.

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Ghana's Mahama wins election - electoral body's Facebook page

ACCRA (Reuters) - Ghana incumbent President John Dramani Mahama was elected to a new term with 50.7 percent of votes cast, according to results posted on the Electoral Commission's Facebook page on Sunday.

It was not immediately possible to verify the results with an Electoral Commission official.

Mahama, who became president in July after the death of ex-leader John Atta Mills, was facing top rival Nana Akufo-Addo - who took 47.4 percent of the vote, according to the Electoral Commission's Facebook page. http://www.facebook.com/ECGOVGH

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Twitter to Start War on Instagram In Time for Christmas

Holidays seem to be Instagram's bread and butter, so it makes sense that Twitter would fire their first shot in the war on Instagram when the app is at its most vulnerable.

RELATED: Why You Can't See Instagram Photos on Twitter Anymore

If we learned anything from Thanksgiving, it's that people love to Instagram their holidays. Turkeys, stuffing, table settings: you Amaro'd it all. It was the service's best day ever. There were 10 million pictures Instagrammed on Thanksgiving. So it's not a logistical stretch to imagine the holiday season -- Hanukkah starts tonight! --  will be big business for Instagram, too. Christmas day will probably be especially big since it combines dinner, like Thanksgiving, and presents. (Also: check your Instagram feed right now and you're sure to see at least 3 Christmas trees.)

RELATED: Meet the Parade of Greedy Crybabies Who Didn't Get iPhones for Christmas

And so comes a report from AllThingsD's Mike Isaac saying Twitter will launch its own photo filters on time for Christmas, likely to try and capitalize on that rush of OMG I got a cool thing! photo-sharing. Instagram stopped their photos from being shown on Twitter, because they want people on their site. The move makes enough sense, because Instagram is owned by Facebook and not Twitter, but it still sucks for the rest of us. The two companies are now in a budding rivalry over photo-sharing, so this is it, it's war, we guess.

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Top Google executive forced off Twitter

Working at Google (GOOG) has its benefits — for one thing, the company’s reputation as an innovator is nearly unmatched — however things aren’t always as simple as they look. After making a joke on Twitter about Microsoft and Nokia’s Windows Phone partnership, Google’s senior vice president of engineering Vic Gundotra was told to stop using the micro-blogging site. Gundotra  had been using the social network since December 2007 and suddenly stopped in July 2011. It had been previously speculated that Google CEO Larry Page had told the executive to stop, however nothing had been confirmed until now. While speaking at the SMX Social Media Marketing conference on Thursday, Gundotra confirmed that his “boss” had asked him to stop using the service.

“I was asked not to do that by my boss,” he said, according to TheNextWeb. “I tweeted a tweet about two companies that went viral, went very very viral and made a lot of headline news. And honestly, I didn’t anticipate that my comments would be interpreted in the way they were interpreted.”

The tweet in question was posted on February 11th 2011 and quipped that “two turkeys do not make an Eagle,” a shot at Microsoft (MSFT) and Nokia (NOK) joining to release a new wave of Windows Phones.

Gundotra admitted that he still checks Twitter and Facebook (FB), noting that it is part of his job to keep up on innovation. He can predominantly be found using Google+ these days, however.

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The Era of Twitter Without Instagram Has Now Begun

We know everyone is a little bummed about all those filtered photos disappearing from your Twitter streams this weekend, but let's not get all worked up about it: They are disappearing, and there is no scandal.

RELATED: Why You Can't See Instagram Photos on Twitter Anymore

TechCrunch's  Drew Olanoff got a little too excited on Friday and thought a single in-stream photo meant that Instagram was allowing its Twitter cards back on Twitter and thought the two services were planning a sudden reunion. You may have seen some, too, but a Facebook spokesperson assured users these Instagram photos on Twitter were the last holdouts in the switchover. "What you are seeing now may be some sort of regression depending on the mobile client, but we're checking in with the engineers," read Facebook's statement, via Talking Points Memo's Carl Franzen.

RELATED: How to Get Over the Twitter-Instagram War on Photos

Which means the end of this particular social-media marriage is upon us. Despite the immediate user backlash, Instagram CEO Kevin Systrom has made it pretty clear that the photo-sharing app doesn't plan on making nice with Twitter. In case you hadn't accepted the reality of Silicon Valley competition the first time around, this photo-friendly weekend might be the time to check out our handy three-step guide to getting over it.

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